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Camille Pissarro
Vaches dans un pre, soleil couchant
1890(1890)
Medium : oil on canvas
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Camille Pissarro
Rouen, Rue de l Epicerie
1898(1898)
Medium oil on canvas
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Camille Pissarro
El Jarden de Pontoise
1877(1877)
Medium oil on canvas
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Camille Pissarro
Kastanienbaume in Louveciennes
c. 1870
Medium oil on canvas
Dimensions Deutsch: 41 x 54 cm
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Camille Pissarro
Schnee in Louveciennes
1872(1872)
Medium oil on canvas
Dimensions Deutsch: 46 x 55 cm
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Camille Pissarro
The Louvre, Spring
1901(1901)
Medium oil on canvas
Dimensions 54 x 65 cm (21.3 x 25.6 in)
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Camille Pissarro
Le Pont-Neuf
1902(1902)
Medium oil on canvas
Dimensions 55 X 46,5 cm
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Camille Pissarro
Apple harvest at Eragny
1888(1888)
Medium oil on canvas
Dimensions 85.09 X 73.98 cm (33.5 X 29.1 in)
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Camille Pissarro
Tuileries Gardens Winter Afternoon
oil on canvas, 73.3 x 92.4 cm, Metropolitan Museum of Art
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Camille Pissarro
Tuileries Gardens
oil on canvas, 73 x 92 cm, Israel Museum
Date 1900(1900)
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Camille Pissarro
Obstgarten mit bluhenden Baumen
1877(1877)
Medium oil on canvas
Dimensions 64 x 81 cm
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Camille Pissarro
Kleine Brucke von Pontoise
1875(1875)
Medium oil on canvas
Dimensions 65 x 81 cm
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Camille Pissarro
Portrait Paul Cezanne
1874(1874)
Medium oil on canvas
Dimensions 73 x 59.7 cm.
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Camille Pissarro
The Cote des Boeufs at L Hermitage
1877
Type Oil on canvas
Dimensions 115 cm x 88 cm
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Camille Pissarro
Winter
oil on canvas
Dimensions 55.5 x 131.6 cm
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Camille Pissarro
Argenteuil
1865(1865)
Medium oil on canvas
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Camille Pissarro
Paul Emile Pissarro
oil on canvas
41 x 33.6 cm
circa 1890
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| Camille Pissarro
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Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903
.Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;
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